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Cast a Dirty Look My Way Ever Again.

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2021 American film by Adam McKay

Don't Await Up
A Netflix poster featuring various characters looking up and the tagline "Based on truly possible events".

Release poster
Directed by Adam McKay
Screenplay by Adam McKay
Story by
  • Adam McKay
  • David Sirota[i]
Produced by
  • Adam McKay
  • Kevin Messick
Starring
  • Leonardo DiCaprio
  • Jennifer Lawrence
  • Rob Morgan
  • Jonah Hill
  • Mark Rylance
  • Tyler Perry
  • Timothée Chalamet
  • Ron Perlman
  • Ariana Grande
  • Scott Mescudi
  • Cate Blanchett
  • Meryl Streep
Cinematography Linus Sandgren
Edited by Hank Corwin
Music by Nicholas Britell

Production
companies
  • Hyperobject Industries
  • Bluegrass Films
Distributed past Netflix

Release dates
  • December five, 2021 (2021-12-05) (New York City)
  • Dec 10, 2021 (2021-12-10) (United States)
  • Dec 24, 2021 (2021-12-24) (Netflix)

Running time

 138 minutes[2]
Country United States
Language English
Budget $75 one thousand thousand[3]
Box function $791,863[4] [5]

Don't Look Up is a 2022 American apocalyptic black one-act moving picture written, produced, and directed by Adam McKay, and starring an ensemble cast including Leonardo DiCaprio, Jennifer Lawrence, Rob Morgan, Jonah Hill, Mark Rylance, Tyler Perry, Timothée Chalamet, Ron Perlman, Ariana Grande, Scott Mescudi, Cate Blanchett, and Meryl Streep. It tells the story of two astronomers attempting to warn humanity almost an budgeted comet that will destroy human civilization. The touch on event is an allegory for climatic change, and the movie is a satire of government, political, celebrity, and media indifference to the climate crunch.[6] [7]

Produced by Hyperobject Industries and Bluegrass Films, the film was announced in November 2022 and sold by Paramount Pictures to Netflix several months later. Lawrence became the first member of the cast to join, with DiCaprio signing on later on his discussions with McKay on adjustments to the script; the rest of the cast was added through 2020. Filming was initially set to begin in April 2022 in Massachusetts, but was delayed due to the ongoing COVID-xix pandemic; it eventually began in November 2022 and wrapped in February 2021.[8]

Don't Look Upward began a limited theatrical release on December 10, 2021, before streaming on Netflix on Dec 24. It received mixed reviews from critics, who praised the cast but were divided on the merits of McKay'southward satire; some plant it deft, while others criticized it as smug and heavy-handed. The film received more positive feedback from scientists. Don't Look Upwards was named one of the top 10 films of 2022 by the National Board of Review and American Moving-picture show Constitute. It received four Academy Award nominations, including All-time Picture, 4 Gilt Globe Award nominations, including Best Flick – Musical or Comedy, and six Critics' Choice Award nominations, including Best Moving picture. The film won Best Original Screenplay at the 74th Writers Guild of America Awards. The movie set a new record for the most viewing hours in a single week on Netflix, and went on to become the 2nd most-watched movie on Netflix inside 28 days of release.

Plot [edit]

Kate Dibiasky, a Michigan State University astronomy Ph.D. candidate, discovers a previously unknown comet. Her professor, Dr. Randall Mindy, confirms that it will collide with the World in about six months and is large enough to crusade a planet-wide extinction upshot. NASA confirms the findings and their Planetary Defence force Coordination Office caput Dr. Teddy Oglethorpe accompanies Dibiasky and Mindy to present their findings to the White House. They are met with aloofness from President Janie Orlean and her son and Primary of Staff Jason.

Oglethorpe urges Dibiasky and Mindy to leak the news to the media and they practice so on a morning talk testify. When hosts Jack Bremmer and Brie Evantee treat the topic frivolously, Dibiasky loses her composure and rants about the threat. Mindy, on the other hand, receives public approval for his looks. Actual news most the comet'south threat receives little public attention and the threat is denied by Orlean's Manager Jocelyn Calder, a top donor to Orlean with no background in astronomy. When news of Orlean's sex scandal with her Supreme Court nominee Sheriff Conlon is revealed, she finally confirms the threat and announces a project to strike and divert the comet using nuclear weapons.

The mission successfully launches, merely Orlean abruptly aborts information technology when Peter Isherwell, the billionaire CEO of BASH Cellular and some other top donor, discovers that the comet contains trillions of dollars worth of rare-world elements. The White Business firm agrees to commercially exploit the comet by fragmenting and recovering it from the sea, using engineering science proposed past Fustigate in a scheme that has not undergone peer review. Orlean sidelines Dibiasky and Oglethorpe while hiring Mindy as the National Science Counselor. Dibiasky tries to mobilize public opposition to the scheme, but gives up under threat from Orlean's administration. Mindy becomes a prominent voice advocating for the comet's commercial opportunities and begins an matter with Evantee.

World stance is divided among people who believe the comet is a serious threat, those who decry alarmism and believe that mining a destroyed comet will create jobs, and those who deny that the comet even exists. When Dibiasky returns home to Illinois, her parents kicking her out of the house and she begins a relationship with a young man named Yule, a shoplifter she meets at her retail job. Later on Mindy's married woman confronts him well-nigh his adultery, she returns to Michigan without him. Mindy questions whether Isherwell'southward technology will be able to break autonomously the comet, angering the billionaire. Condign frustrated with the administration, Mindy finally snaps and rants on live television, criticizing Orlean for downplaying the impending apocalypse and questioning humanity's indifference.

Cutting off from the administration, Mindy reconciles with Dibiasky as the comet becomes visible from Earth. Mindy, Dibiasky, and Oglethorpe organize a protest campaign on social media, telling people to "Just Look Up", and call on other countries to conduct comet interception operations, while Orlean starts an anti entrada telling people "Don't Look Up". Orlean cuts Russian federation, Bharat, and Prc out of the comet-mining deal, so they prepare a articulation effort to deflect the comet only for their spacecraft to explode. Fustigate's effort at breaking the comet apart also goes awry, and anybody realizes that humanity is doomed.

Isherwell, Orlean, and others in their aristocracy circle board a sleeper spaceship designed to find an Earth-similar planet, inadvertently leaving Jason behind. Orlean offers Mindy two places on the ship, but he declines, choosing to spend a final evening with his friends and family. As expected, the comet strikes off the declension of Chile, causing a worldwide disaster and triggering an extinction-level effect. The shockwave strikes Mindy's business firm, killing him and those inside.

In a mid-credits scene, the ii,000 people who left World before the comet's bear upon state on a lush alien planet 22,740 years subsequently, catastrophe their cryogenic sleep. They exit their spacecraft naked and, admiring the habitable earth, Orlean is suddenly killed past the bird-like Bronteroc as Isherwell advises everyone not to pet the approaching Bronterocs. During a mail-credits scene, Jason emerges from the rubble and calls for his mother before trying to post his status on social media.

Cast [edit]

  • Leonardo DiCaprio as Dr. Randall Mindy, an astronomy professor at MSU (Michigan State Academy) and Kate's teacher
  • Jennifer Lawrence as Kate Dibiasky, an MSU doctoral candidate in astronomy. Lawrence received height billing in the film's opening credits and was listed kickoff on the call sheet. She recognized that she and DiCaprio shared equal billing, but said that, "maybe somewhere downwardly the line, I kicked the rock further, like, 'What if it wasn't equal?'".[ix]
  • Rob Morgan equally Dr. Teddy Oglethorpe, head of the Planetary Defense Coordination Office
  • Jonah Colina as Jason Orlean, Principal of Staff and Janie's son. About his inspiration for his character, Hill wrote, "I thought, what if Fyre Festival was a person and that person had power in the White House".[10]
  • Mark Rylance as Peter Isherwell, the billionaire CEO of the fictitious tech company Bash and one of Orlean'south summit donors
  • Tyler Perry as Jack Bremmer, the co-host of The Daily Rip morning talk show
  • Timothée Chalamet as Yule, a young shoplifter whom Kate befriends
  • Ron Perlman as Colonel Benedict Drask, war veteran and Presidential Medal of Freedom recipient who is sent upwardly with the initial launch to divert the comet
  • Ariana Grande as Riley Bina, an international music star
  • Scott Mescudi every bit DJ Chello, an international music star who becomes Riley's fiancée on The Daily Rip
  • Himesh Patel as Phillip Kaj, a announcer at Autopsy and Kate'southward boyfriend
  • Melanie Lynskey as June Mindy, Dr. Randall Mindy's married woman
  • Michael Chiklis as Dan Pawketty, host of the conservative Patriot News Network
  • Tomer Sisley as Adul Grelio, senior editor at The New York Herald
  • Paul Guilfoyle as US Air Force Lieutenant General Stuart Themes, The Pentagon liaison to the White House
  • Robert Joy as Congressman Tenant, a congressman and follower of Janie
  • Cate Blanchett every bit Brie Evantee, co-host of The Daily Rip
  • Meryl Streep as Janie Orlean, the President of the United States
  • Erik Parillo as Sheriff Conlon, Orlean's choice for Supreme Court Justice who ends up in a sex scandal with Orlean.
  • Jon Glaser as Meow Human
  • Sarah Nolen every bit the puppeteer of Sammy
  • Allyn Burrows as Mr. Dibiasky, the father of Kate
  • Tori Davis Lawlor as Mrs. Dibiasky, the mother of Kate

Additionally, Robert Hurst Radochia and Conor Sweeney announced as Randall and June's sons, Evan and Marshall Mindy. Hettienne Park appears every bit Dr. Jocelyn Calder, the Head of NASA. There are cameo appearances by Liev Schreiber equally the BASH narrator, journalist Ashleigh Banfield equally Dalia Hensfield, Sarah Silverman equally comedian Sarah Benterman, Bollywood actor Ishaan Khatter equally Raghav Manavalan and Chris Evans (uncredited) as picture actor Devin Peters who stars in the film Total Devastation and attempts to be a centrist about whether or not to worry about the failure to divert the comet when humanity had the hazard. Matthew Perry and Gina Gershon were cast for roles in the motion-picture show, but had their scenes cutting.[11] [12]

Production [edit]

Adam McKay at the world premiere of Marvel's "Ant-Man".

Writer, manager, and producer Adam McKay

Produced by Hyperobject Industries and Bluegrass Films, the film was announced in November 2022 and sold by Paramount Pictures to Netflix several months subsequently. Lawrence became the first member of the cast to bring together, with DiCaprio signing on after his discussions with McKay on adjustments to the script; the balance of the bandage was added through 2020. Filming was initially set up to begin in April 2022 effectually the U.South. country of Massachusetts simply was delayed due to the COVID-19 pandemic; it eventually began in November 2022 and wrapped up in February 2021.

This flick came from my burgeoning terror near the climate crisis and the fact that nosotros live in a society that tends to place it equally the fourth or fifth news story, or in some cases even deny that information technology's happening, and how horrifying that is, but at the same time preposterously funny.[13]

—Adam McKay, writer, director, and producer of Don't Wait Up

Later on Vice was released, David Sirota asked Adam McKay to use his "superpowers of humor and writing" to create a climatic change movie that would exist different from the Mad Max-type postal service-apocalyptic films that had previously been released.[fourteen] In an interview with Entertainment Weekly, McKay described how he and Sirota came up with the premise of Don't Await Upwards while discussing the existential threat of climatic change and their frustration over the lack of media coverage information technology was receiving:

I started talking to a lot of [climate] scientists. I kept looking for skilful news, and I never got it. Everything I was hearing was worse than what I was hearing on the mainstream media. So I was talking to [David Sirota], and we were both only like, "can you believe that this isn't being covered in the media? That it'due south being pushed to the end of the story? That there's no headlines?" And Sirota just offhandedly said, "it'due south like a comet is heading to World and information technology's going to destroy us all and no 1 cares." And I was like, "that's the thought!"[15]

McKay has described the moving picture as a "alloy of wide one-act" with elements of disaster films and horror films.[xvi]

Astronomer Amy Mainzer, primary investigator of NASA's NEOWISE mission that tracks Near-Globe objects, served as an "astrotech adviser" for the picture show. She provided scientific advice and supported with writing scenes from an early stage of production.[17] [18]

On November 8, 2019, information technology was appear that Paramount Pictures would distribute the film, with Adam McKay writing, directing, and producing under his Hyperobject Industries banner.[19] On Feb xix, 2020, Netflix acquired the film from Paramount and Jennifer Lawrence was cast in the flick.[20] On May 12, 2020, it was announced that Cate Blanchett had joined the picture.[21] In September 2020, Rob Morgan joined the bandage.[22] In October 2020, Leonardo DiCaprio, Meryl Streep, Jonah Loma, Himesh Patel, Timothée Chalamet, Ariana Grande, Kid Cudi (credited every bit his real name Scott Mescudi), and Tomer Sisley were added.[23] [24] McKay wrote the part of Dibiasky specifically for Lawrence, and spent four to 5 months going over ideas with DiCaprio, tweaking the script before the player ultimately signed on.[25] In November 2020, Tyler Perry, Melanie Lynskey, and Ron Perlman joined the bandage.[26] Mark Rylance, and Michael Chiklis were revealed as role of the cast in February 2021.[27] Paul Guilfoyle was announced in May.[28] Matthew Perry had scenes filmed with Hill that were ultimately cut from the final motion picture.[29] Gina Gershon also filmed a scene with DiCaprio and Blanchett that was cutting from the film.[30]

Main photography was delayed due to the COVID-nineteen pandemic.[31] Filming commenced on Nov eighteen, 2020, at various locations in Boston, Massachusetts.[32] Function of the film takes identify in New York City with Boston standing in every bit New York. Filming also took place in other Massachusetts cities including Brockton, Framingham, and Westborough.[a] [33] [34] On February five, 2021, Jennifer Lawrence was mildly injured during filming when a controlled glass explosion went awry.[35] On February 18, 2021, principal photography wrapped.[36]

To promote the picture, Ariana Grande and Kid Cudi released the unmarried "Just Wait Upwardly" on December 3, 2021, a song that is besides performed in the film.[37]

Release [edit]

On February 19, 2020, it was announced Netflix planned to release the film in 2020.[20] Due to the COVID-19 pandemic, filming and release of the film were delayed.[38] The film premiered in New York City on December 5, 2021.[39] Information technology received a limited theatrical release on December ten, and began streaming on Netflix on December 24.[40] [41] The picture made an estimated $260,000 from 500 theaters on its offset day, and a total of $700,000 in its opening weekend.[42]

Audience viewership [edit]

Don't Expect Up was the virtually-streamed English-language film on Netflix during the week of Dec 20–26, 2022 with a viewership of 111.03 million hours,[43] the second highest viewership for a picture show during its debut weekend on Netflix.[44] It was the second most-streamed-moving-picture show of the week in the United states according to Idiot box Time.[45] Per Nielsen, the film had a viewership of 1.6 billion minutes in the Us.[46] In the 2nd week, information technology retained its commencement position with a viewership of 152.29 meg hours,[47] which likewise set the record for highest weekly viewership for any flick ever on Netflix.[48] [49] It was the second about-streamed-film in the Usa according to Nielsen with a viewership of 2 billion minutes, with its rising compared to previous week driven past a more fifty-fifty audition share among the 18–34, 35–49 and 50–64 age ranges.[50]

The film retained its position on Netflix in third week with a viewership of 58.2 one thousand thousand hours.[51] Per Nielsen it was the second nearly-streamed-motion picture in the United states of america during the calendar week with 807 meg minutes viewed.[52] In the 4th week it was displaced to the second position on Netflix's chart while garnering a viewership of 28.39 meg hours.[53] In the 5th week, which concluded 30 days later on the moving-picture show was released, it fell to the third position while garnering a viewership of 17.13 million hours.[54] Co-ordinate to Nielsen, it was the 6th-nearly-streamed-motion-picture show for the week with 278 million minutes viewed.[55] For its first 28 days, it culminated a viewership of 359.viii million hours, making information technology the second most-watched moving-picture show inside 28 days of release on Netflix during this menstruum of time.[56]

In the sixth week, it was ranked fourth on Netflix with a viewership of ten.25 million hours.[57] According to Nielsen, information technology was the ninth almost-streamed film in the United States with a viewership of 165 million minutes.[58] The following week, it fell to the seventh place in Netflix's rankings, while existence viewed for 6.93 million hours.[59] In the eighth calendar week, it was ranked tenth with a viewership of 5.34 one thousand thousand hours.[60]

Reception [edit]

Critical response [edit]

On the review aggregator website Rotten Tomatoes, 55% of 286 critics' reviews are positive, with an boilerplate rating of half-dozen.30/10. The website'due south consensus reads, "Don't Look Up aims too high for its scattershot barbs to consistently land, but Adam McKay's star-studded satire hits its target of collective deprival square on."[61]

Metacritic, which uses a weighted average, assigned the film a score of 49 out of 100 based on 52 critics, indicating "mixed or boilerplate reviews".[62]

The San Francisco Chronicle 'due south Mick LaSalle praised the film and wrote, "Don't Look Upwards might be the funniest movie of 2021. It's the most depressing too, and that odd combination makes for a one-of-a-kind experience... McKay gives yous over ii hours of laughs while convincing yous that the world is coming to an end."[63] Richard Roeper of the Chicago Sun-Times gave the film ii.5 out of 4 stars and said: "From Streep and DiCaprio and Lawrence through the supporting players, Don't Expect Upwards is filled with greatly talented actors really and truly selling this fabric—just the volume remains at 11 throughout the story when some changes in tone here and there might take more than finer carried the mean solar day."[64] Reviewing the moving picture for the Los Angeles Times, Justin Chang wrote, "Nada about the foolishness and outrageousness of what the movie shows united states—no matter how virtuosically sliced and diced by McKay's characteristically jittery editor, Hank Corwin—tin really compete with the horrors of our real-world American idiocracy."[65] Amit Katwala of Wired ended that "Don't Look Up nails the frustration of beingness a scientist."[66] Linda Marric of The Jewish Relate gave the motion picture 4/5 stars, writing: "There is something genuinely endearing nearly a film that doesn't seem to care one scrap about coming across as silly equally long every bit its message is heard".[67] Shruti Kotiya of Sportskeeda, suggests that "Don't Look Up likewise feels similar to Mike Judge'due south Idiocracy, which is set in 2505 America, where mindless entertainment and violence are what really matter. It also sheds low-cal on how the globe's collective IQ has hit its lowest, which is why Don't Look Upward is similar a 21st-century version of it."[68]

In a negative review, David Rooney of The Hollywood Reporter called the motion-picture show "A cynical, insufferably smug satire stuffed to the gills with stars that purports to comment on political and media inattention to the climate crisis but really just trivializes information technology. Dr. Strangelove it ain't."[69] Peter Debruge of Variety called the movie a "smug, piece of cake-target political satire" and wrote, "Don't Await Upwardly plays similar the leftie respond to Armageddon—which is to say, it ditches the Bruckheimer arroyo of assembling a bunch of blue-collar heroes to rocket out to space and nuke the budgeted comet, opting instead to spotlight the apathy, incompetence and fiscal cocky-interest of all involved."[lxx] In The Guardian, Charles Bramesco wrote that the "script states the obvious as if everyone else is also stupid to realize information technology and does so from a position of lofty superiority that would drive away whatsoever partisans who still demand to be won over."[71] Reviews from right-wing publications were nearly unanimously negative, as the film is deeply critical of right-wing politics. Madeline Fry Schultz of the American conservative publication Washington Examiner wrote that "McKay manages to evangelize zip more than a derivative and meandering "satire" of capitalism, Donald Trump, and climate deniers that volition be forgotten in less than half dozen months."[72] Kyle Smith of American conservative publication National Review wrote that the film "expends 140 brain-injuriously unfunny minutes... propelling low-velocity spitballs at social media, Washington, tech moguls, Trumpism, and (this item feels thrown in last minute) anti-vaxxers."[73]

Nathan J. Robinson, editor of Current Affairs, believes that "critics were not just missing the point of the film in important means, merely that the very way they discussed the motion picture exemplified the trouble that the film was trying to describe attention to. Some of the responses to the movie could have appeared in the moving-picture show itself."[74] In The Guardian, Catherine Bennett viewed the film equally astute and was caustic about the critical reviews.[75] Writing for the American socialist publication Jacobin, Branko Marcetic says that the plot of the moving-picture show, while absurd, hardly exaggerates, noting that "much of our political elite are but as greedy and foolish, our media merely as vapid, and our response to impending disaster exactly every bit mind-bogglingly irrational as in the moving picture."[76] British announcer and ecology activist George Monbiot wrote in The Guardian that "no wonder journalists have slated information technology … information technology's most them" and added that for ecology activists similar himself, the film, while fast‑paced and humorous, "seemed all too existent".[77]

Bong Joon-ho, director of Snowpiercer and Parasite, included Don't Expect Upwards as i of his favorite films of 2021.[78]

Reception among scientists [edit]

Since the film's release, numerous climate scientists and climate communicators have offered positive opinions on the film.[79] [80] [81]

In an opinion piece published in The Guardian, climate scientist Peter Kalmus remarked, "Don't Look Upwardly is satire. Just speaking every bit a climate scientist doing everything I can to wake people up and avoid planetary destruction, information technology'southward also the nearly accurate film nigh society'due south terrifying not-response to climate breakdown I've seen."[82] Climate scientist Michael E. Mann also expressed back up for the flick, calling it "serious sociopolitical commentary posing as comedy".[83] In an article for Scientific American, Rebecca Oppenheimer questioned the moving-picture show's apply of a comet impact equally an constructive metaphor for climatic change, given the large differences in timescale of these differing potential extinction crisis events and the nature of their impacts, only praised its depiction of science denialism and delineation of a botched endeavor to address a "planet-killer" comet.[17] Climate policy adept Ayana Elizabeth Johnson and McKay wrote a joint op-ed in The Guardian advocating for the value of humour in promoting action on climatic change, in dissimilarity with other media coverage.[84]

Writing in Physics World, Laura Hiscott said that this "genuinely funny and entertaining film" would entreatment to scientists, who would appreciate the "nods to academia such as the importance of peer review, the 'publish or perish' problem and the issue of senior academics getting the credit for their PhD students' discoveries".[85]

1 of the scenes in the film was compared on social media to a situation in Brazil. In that state of affairs, microbiologist and science communicator Natália Pasternak Taschner criticized a news written report made past TV Cultura on a live circulate in December 2020. They told the Brazilian population to face the COVID-19 pandemic with "lightness", minimizing the risks. They also put pressure level on the public to be content and uncritical of the Jair Bolsonaro assistants'southward lack of effective response to the pandemic.[86] Hearing about the comparisons, Pasternak thanked McKay, DiCaprio and Lawrence on Twitter with the video subtitled in English to thank them for the "incredible" film.[87]

Accolades [edit]

Run across also [edit]

  • Double Asteroid Redirection Test – a real NASA mission to test deflection of an asteroid in 2022
  • Climatic change in popular culture

Notes [edit]

  1. ^ Additional filming locations include County, Chicopee, Autumn River, Norton, Salisbury, Weymouth, and Worcester.
  2. ^ a b c d Nominees: Ariana Grande, Child Cudi, Nicholas Britell, and Taura Stinson
  3. ^ Nominees: Cate Blanchett, Timothée Chalamet, Leonardo DiCaprio, Ariana Grande, Jonah Hill, Jennifer Lawrence, Melanie Lynskey, Kid Cudi, Rob Morgan, Himesh Patel, Ron Perlman, Tyler Perry, Marker Rylance, and Meryl Streep

References [edit]

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  10. ^ "Archived copy". Archived from the original on March 8, 2022. Retrieved January 3, 2022. {{cite web}}: CS1 maint: archived copy as title (link)
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External links [edit]

pazhards1976.blogspot.com

Source: https://en.wikipedia.org/wiki/Don%27t_Look_Up

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